Evanescence is an American rock band founded in Little Rock, Arkansas in 1995 by singer/pianist Amy Lee and guitarist Ben Moody.[1][2]
After recording two private EPs and a demo CD named Origin, with the help of Bigwig Enterprises in 2000, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 15 million copies worldwide and helped the band win two Grammy Awards.[3] A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which sold more than four million copies.
The band has suffered several line-up changes, including co-founder Moody leaving mid-tour in 2003, bassist Will Boyd in mid-2006, followed by guitarist John LeCompt and drummer Rocky Gray in 2007. The later two of the changes ultimately led the band to be on hiatus with only temporary replacements sought in order for the band to finish touring. There has been talk that Evanescence are working on a new album that could be released at the end of 2009.
History Founding
Evanescence was founded by singer, pianist and songwriter Amy Lee and former lead guitarist and songwriter Ben Moody. The two met in 1994 at a youth camp in Little Rock, where Moody heard Lee playing "I'd Do Anything for Love (But I Won't Do That)" by Meat Loaf on the piano.[4] Their first songs together were "Solitude" and "Give Unto Me", both written by Lee, and "Understanding" and "My Immortal", both written by Moody. The songs were edited by both artists, and they shared equal credit.
Two of Lee and Moody's songs found playtime on local radio stations, raising local awareness of the group and demand for a concert. The band eventually appeared live, and became one of the most popular acts in the area. After experimenting with band names, such as Childish Intentions and Stricken, they decided on Evanescence, which means "disappearance" or "fading away" (from the word evanesce, which means "to disappear"). Lee loved the name because "it is mysterious and dark, and places a picture in the listeners' mind."
Their first full-length demo CD, Origin (released in 2000), is relatively unknown. The band also released two EPs. The first is the self-titled Evanescence EP (1998), of which about 100 copies were made and distributed at the band's early live performances. The second is the Sound Asleep EP, also known as the Whisper EP (1999), which was limited to 50 copies. Origin and the EPs contain demo versions of some of the songs on their debut album, Fallen. For example, the recording of "My Immortal", found on Fallen, can also be found on Origin, minus a handful of additional string accompaniments. Only 2,500 copies of this record were produced; in response, Lee and Moody encouraged fans to download the band's older songs from the Internet.
Fallen
In early 2003, the lineup was completed by Amy Lee and Ben Moody's friends, John LeCompt, Rocky Gray and Will Boyd, all of whom worked on Evanescence's earlier songs. Meanwhile, Evanescence signed on with their first major label, Wind-up Records, and began work on their next album, Fallen. While they were looking to promote Fallen, Evanescence accepted an offer from the video game company Nintendo to perform on the "Nintendo Fusion Tour" which they headlined in 2003.[10]
Fallen spent 43 weeks on the Billboard Top 10;[11] was certified 7x Platinum in the United States;[12] and sold more than 15 million copies worldwide,[3] including 7 million in the U.S. The album was listed for 104 weeks on the Billboard Top 200, and it was one of eight albums in the history of the chart to spend at least a year on the Billboard Top 50.[13]
Evanescence's major label debut single "Bring Me to Life", which features guest vocals from Paul McCoy of 12 Stones, was a global hit for the band and reached #5 on the American Billboard Hot 100.[14] It provided Evanescence with their first UK #1 listing,[15] where it stayed for four weeks from June-July 2003. The song also became the official theme for WWE No Way Out 2003. The equally popular "My Immortal" peaked at #7 in the U.S. and UK charts,[14] and both songs were featured in the soundtrack for the action movie Daredevil. "Bring Me to Life" garnered recognition for the band at the 46th Grammy Awards in 2004, where they won the Best Hard Rock Performance and Best New Artist awards and were nominated for two others.[16] The two other singles off Fallen are "Going Under" (#5 U.S. Modern Rock Tracks,[14] #8 UK Charts) and "Everybody's Fool" (#36 U.S. Modern Rock Tracks,[14] #23 UK Charts); all were promoted by a music video.
Anywhere but Home
In 2004, Evanescence's new lineup released a DVD/CD compilation entitled Anywhere but Home. The DVD includes a concert in Paris, as well as behind-the-scenes features, including shots of the band backstage signing autographs and warming up. The CD contains a previously unreleased song entitled "Missing", which was internationally released as a single and reached #1 in Spain. Also on the CD are the live songs "Breathe No More" (from the Elektra movie soundtrack), "Farther Away", and the band's cover of Korn's
The Open Door
To promote the band's third album, The Open Door, Amy Lee and John LeCompt visited cities in Europe including London, England on September 6, 2006; Barcelona, Spain on September 8, 2006; and Paris, France on Monday, September 11, 2006. At the previews, the new album was played to fans who won various competitions, Lee and LeCompt answered questions and performed acoustic versions of songs from the album before signing autographs. On October 2, 2006, the day before the album was released in the United States, Evanescence appeared on Late Night with Conan O'Brien and performed the song "Call Me When You're Sober". The band also spent time in New York City for press and a photo shoot for Metal Edge magazine.[17]
The 13-track album was released in Canada and the United States on October 3, 2006;[11] the United Kingdom on October 2, 2006; and Australia on September 30, 2006.[18] The album sold 447,000 copies in the United States in its first week of sales and earned their first #1 ranking on the Billboard 200 album chart, becoming the 700th #1 album in Billboard since the chart became a weekly feature in 1956.[13] Evanescence performing at a concert in Brazil in 2007
The album progressed slowly for several reasons, including Amy Lee's desire to maximize the creative process and not rush production, other band members' side projects, guitarist Terry Balsamo's stroke, and the loss of their former manager.[19] Although Lee stated on the fan forum Evboard that Evanescence's new album would be completed in March 2006,[20] the release was pushed to October 3, 2006, allegedly because "Wind-up Records...wanted to make a few changes to the upcoming single "Call Me When You're Sober", which hit modern rock and alternative rock radio on August 7, 2006.[21] The music video for "Call Me When You're Sober" was shot in Los Angeles and is based on the fairy tale Little Red Riding Hood. The Open Door became available for pre-order on the iTunes Store on August 15, 2006; the music video for "Call Me When You're Sober" was also made available.
Lee claimed that she wrote a song for the 2005 film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, but that it was rejected due to its dark sound. Lee went on to state that it was just "more great stuff for [The Open Door]"".[22] Another song supposedly written for Narnia was the Mozart-inspired "Lacrymosa".[17] The producers of Narnia, however, refuted her claim, stating this information was "news to them" and that no Evanescence music had been planned for inclusion in the soundtrack.[23]
The tour for The Open Door began on October 5, 2006 in Toronto and included locations in Canada, the U.S. and Europe during that year. This first tour continued on January 5, 2007 and included stops in Canada (alongside band Stone Sour), Japan and Australia (alongside band Shihad) and then returned to the U.S. for a second tour in the spring (alongside bands Chevelle and Finger Eleven).[24][25] As part of their tour, Evanescence performed on April 15, 2007 on the Argentinan festival Quilmes Rock 07 along with Aerosmith, Velvet Revolver and other local bands.[26] They also co-headlined on the Family Values Tour 2007 along with Korn and other bands.[27][28] The group closed their European tour with a sell-out concert at the Amphi in Ra'anana, Israel, on June 26, 2007,[29] and finished the album tour on December 9, 2007.
Lineup changes John LeCompt, former Evanescence guitarist
On October 22, 2003, Moody left the band during the European tour for Fallen, reportedly because of creative differences.[31] In an interview several months later, Amy Lee said: "...we'd gotten to a point that if something didn't change, we wouldn't have been able to make a second record." This became a point of confusion for some people, as Moody and Lee stated on the Fallen album liner notes that they were best friends.[32] Later, Lee said it was almost a relief that he left because of tensions created within the band.[32] Moody was replaced by Terry Balsamo from Cold.[33]
A spokesperson for the band's label confirmed on July 14, 2006 that bassist Will Boyd had left the band for "not wanting to do another big tour" and wanting "to be close to his family." Amy Lee originally broke the news to the fans in a post on an unofficial Evanescence site, EvBoard.com.[34] In an interview with MTV, posted on their website on August 10, 2006, Lee announced that Tim McCord, former Revolution Smile guitarist, would switch instruments and play bass for the band.[35]
On May 4, 2007, John LeCompt announced that he had been fired from Evanescence, and also stated that drummer Rocky Gray had decided to quit.[36] On his MySpace blog, LeCompt stated that Lee called his cellphone to fire him, and that no warning had previously been given nor were any negotiations made available.[37] Gray later released a statement on his MySpace stating that he was served a gag order by label Wind-up which prevents him from discussing the reasons for his departure from the band.[38] On the band's official website, Lee wrote that the band was still alive and that no tour events had been canceled or changed.[39]
Wind-up issued a press release on May 17, 2007, stating that two Dark New Day members, drummer Will Hunt and guitarist Troy McLawhorn, would be joining the band to replace LeCompt and Gray.[40] However, Lee wrote on the EvThreads.com forum that "We're just borrowing Will and Troy for a while" and that they would not be leaving Dark New Day.[41] It was initially stated that Hunt and McLawhorn would tour with Evanescence until the end of the Family Values Tour in September 2007,[42] but both continued to play with the band through The Open Door tour
Style
Critics vary in terming Evanescence a rock or metal band, but most identify them as some form of gothic band: Publications such as the New York Times, Rough Guides, Rolling Stone, Blender and The Metal Observer have identified Evanescence as a gothic metal act,[43][44][45][46][47] while other sources such as NME, MusicMight, IGN and Popmatters have termed them gothic rock.[48][49][50][51] They have been compared to a variety of bands from differing genres, such as nu metal ensembles like P.O.D. and Linkin Park,[52][53] gothic metal groups like Lacuna Coil and Within Temptation,[54][55] and symphonic metal acts like Nightwish.[56] Cammila Albertson of Allmusic counts Evanescence as one step further from gothic metal, presenting the description of the band's music as "a pop version of an already diluted brand of metal."[57] Critic Bill Lamb of About.com tags the group succinctly as "pop-goth",[58] while David Browne of Blender offers a more elaborate description of the band's music as "goth Christian nü-metal with a twist of melancholic Enya."[59] Babbet Jahn of Metal Observer also notes the nu metal influence in their music,[47] and Adrien Begrand of Popmatters describes Evanescence as utilising "nu-metal riffage".[51] Other genres and influences used to describe the band’s sound include alternative metal,[60][49] alternative rock,[49][61] hard rock,[49] post-grunge,[62] pop,[62] and electronica.[48]
The band's relationship with heavy metal music is not without controversy. Vocalist Fernando Ribeiro of Moonspell contends that Evanescence is not a metal band.[63] In contrast, Aaron Stainthorpe of My Dying Bride feels that Evanescence is doing something similar to his own gothic metal group, only in a more commercial direction.[64] Gregor Mackintosh of Paradise Lost notes a generation gap between his group and Evanescence, suggesting that Paradise Lost has only influenced Evanescence indirectly through other acts like Lacuna Coil.
"Christian rock" controversy
Originally promoted in Christian stores, the band eventually made it clear they did not want to be considered part of the Christian rock genre. Wind-up Records chairman Alan Meltzer issued a press release in April 2003 asking for the band's music to be removed from Christian retail outlets.[66]
During a 2003 interview with Entertainment Weekly, Ben Moody stated, "We're actually high on the Christian charts, and I'm like, What the f--k are we even doing there?"[67] This seemed to go against earlier sentiments by Moody that "We hope to express in our music that Christianity is not a rigid list of rules to follow..." and also "The message we as a band want to convey more than anything is simple—God is Love."[68] This led to criticism of the band within the Christian community, even more so given that the band themselves approved of the plan to distribute Fallen to the Christian market.[69] Terry Hemmings, CEO of Christian music distributor Provident, expressed puzzlement at the band's about-face, saying "They clearly understood the album would be sold in these [Christian music] channels."[70] In the wake of the controversy, "Bring Me To Life" was dropped by many Christian radio stations; the song was Top 5 on Radio & Records' Christian Rock Top 30 one week, and completely gone the next. Ex-vocalist and keyboardist David Hodges eventually left the band over the controversy, with other members stating that he had been pulling them in more of a Christian direction than Lee and Moody were comfortable with.
When asked by Billboard in 2006 if Evanescence was a "Christian band," Amy Lee responded, "Can we please skip the Christian thing? I'm so over it. It's the lamest thing. I fought that from the beginning; I never wanted to be associated with it. It was a Ben thing. It's over
The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten, eleven, twelve, thirteen and eighteen string guitars also exist.
Guitars are recognized as one of the primary instruments in jazz, blues, country, flamenco, mariachi, rock music, and many forms of pop. They can also be a solo classical instrument. Guitars may be played acoustically, where the tone is produced by vibration of the strings and modulated by the hollow body, or they may rely on an amplifier that can electronically manipulate tone. Such electric guitars were introduced in the 1930s and continue to have a profound influence on popular culture.
Traditionally guitars have usually been constructed of combinations of various woods and strung with animal gut, or more recently, with either nylon or steel strings. Guitars are made and repaired by luthiers. There are many brands of guitars, but some commonly known brands are PRS, Gibson, Dean, Gretsch, Ibanez, Martin, Jackson, Schecter, and Fender.
HISTORY
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides".[1] Instruments similar to the guitar have been popular for at least 4,000 years. While today's classical guitar first appeared in Spain, it was itself a product of the long and complex history that saw a number of related guitar types developed and used across Europe.[2] The roots of the guitar can be traced back thousands of years to an Indo-European origin in instruments, then known in central Asia and India. For this reason the guitar itself is distantly related to instruments such as the tanbur and setar, and the Indian sitar. The oldest known iconographic representation of an instrument displaying all the essential features of a guitar being played is a 3,300 year old stone carving of a Hittite bard.[3] The modern word, guitar, was adopted into English from Spanish guitarra (German Gitarre, French Guitare),[4] loaned from the medieval Andalusian Arabic qitara[5], itself derived from the Latin cithara, which in turn came from the earlier Greek word kithara,[6] which is descended from the Old Persian word sihtar.[7] Illustration from a Carolingian Psalter from the 9th century, showing a guitar-like plucked instrument.
The modern guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of the Iberian peninsula in the 8th century.[8] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[9] By 1200 AD, the four string "guitar" had evolved into two types: the guitarra morisca (Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck.[10]
The Spanish vihuela or "viola da mano", a guitar-like instrument of the 15th and 16th centuries is, due to its similarities, is often considered an important influence in the development of the modern guitar. It had lute-style tuning and a guitar-like body. Its construction had as much in common with the modern guitar as with its contemporary four-course renaissance guitar. The vihuela enjoyed only a short period of popularity; the last surviving publication of music for the instrument appeared in 1576. It is not clear whether it represented a transitional form or was simply a design that combined features of the Arabic oud and the European lute. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud. Meanwhile, the five string renassance guitar and the baroque guitar enjoyed popularity, especially in Italy and France, and indeed, much of Europe from the 15th to the 18th centuries.
The Vinaccia family of luthiers is known for developing the mandolin, and may have built the oldest surviving six string guitar. Gaetano Vinaccia (1759 – after 1831)[11] has his signature on the label of a guitar built in Naples, Italy for six strings with the date of 1779.[12][13] This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar although fakes are known to exist of guitars and identifying labels from that period.
The dimensions of the modern classical guitar (also known as the Spanish guitar) were established by Antonio Torres Jurado (1817-1892), working in Seville in the 1850s. Torres and Louis Panormo of London (active 1820s-1840s) were both responsible for demonstrating the superiority of fan strutting over transverse table bracing.[14]
Types Of guitar
Acoustic guitars An acoustic guitar is one not dependent on an external device to be heard but uses a soundboard which is a wooden piece mounted on the front of the guitar's body. The acoustic guitar is quieter than other instruments commonly found in bands and orchestras so when playing within such groups it is often externally amplified. Many acoustic guitars available today feature a variety of pickups which enable the player to amplify and modify the raw guitar sound.
There are several notable subcategories within the acoustic guitar group: classical and flamenco guitars; steel string guitars, which include the flat top or "folk" guitar; twelve string guitars and the arch top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers such as the acoustic bass guitar which has a similar tuning to that of the electric bass guitar.
Renaissance and Baroque guitars These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12 string guitar, but they only have four or five courses of strings rather than six. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
Classical guitars These are typically strung with nylon strings, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar's wide, flat neck allows the musician to play scales, arpeggios and certain chord forms more easily and with less adjacent string interference than on other styles of guitar. Flamenco guitars are very similar in construction, but are associated with a more percussive tone. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarron, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by Antonio Torres Jurado (1817-1892). Classical guitars are sometimes referred to as classic guitars. In recent years, the series of guitars used by the Niibori Guitar orchestra have gained some currency, namely:
* Sopranino guitar (an octave and a fifth higher than normal); sometimes known as the piccolo guitar * Soprano guitar (an octave higher than normal) * Alto guitar (a 5th higher than normal) * Prime (ordinary classical) guitar * Niibori bass guitar (a 4th lower than normal); Niibori simply calls this the "bass guitar", but this assigns a different meaning to the term than other parts of the community use, as his is only a 4th lower, and has 6 strings * Contrabass guitar (an octave lower than normal)
The modern Ten-string guitar
The Modern/Yepes 10-string guitar (a classical guitar) adds four strings (resonators) tuned in such a way that they (along with the other three bass strings) can resonate in unison with any of the 12 chromatic notes that can occur on the higher strings; the idea behind this being an attempt at enhancing and balancing sonority. Main article: Ten-string guitar
Portuguese guitar
In spite of the name, it is not a guitar, but rather a cittern. Main article: Portuguese guitar
Flat-top (steel-string) guitars Similar to the classical guitar, however, within the varied sizes of the steel-stringed guitar the body size is usually significantly larger than a classical guitar and it has a narrower, reinforced neck and stronger structural design. This allows the instrument to withstand the additional tension of steel strings. The steel strings produce a brighter tone, and according to many players, a louder sound. The acoustic guitar is used in many kinds of music including folk, country, bluegrass, pop, jazz and blues.
Archtop guitars These are steel string instruments in which the top (and often the back) of the instrument are carved in a curved rather than a flat shape. Lloyd Loar of the Gibson Guitar Corporation introduced the violin-inspired f-hole design now usually associated with archtop guitars, after designing a style of mandolin of the same type. The typical archtop is a deep, hollow body guitar whose form is much like that of a mandolin or violin family instrument. Nowadays, most archtops are equipped with magnetic pickups and are therefore both acoustic and electric. F-hole archtop guitars were immediately adopted upon their release by both jazz and country musicians and have remained particularly popular in jazz music, usually with flatwound strings.
Resonator, resophonic or Dobro guitars Similar to the flat top guitar in appearance, the sound of the resonator guitar is produced by a metal resonator mounted in the middle of the top. The physical principle of the guitar is therefore similar to the banjo. The original purpose of the resonator was to amplify the sound of the guitar. This purpose has been largely superseded by electrical amplification, but the resonator guitar is still played because of its distinctive sound. Resonator guitars may have either one resonator cone or three resonator cones. Three-cone resonators have two cones on the left above one another and one cone immediately to the right. The method of transmitting sound resonance to the cone is either a "biscuit" bridge, made of a small piece of hardwood, or a "spider" bridge, made of metal and larger in size. Three-cone resonators always use a specialized metal spider bridge. The type of resonator guitar with a neck with a square cross-section – called "square neck" – is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues.
12 string guitars The twelve string guitar usually has steel strings and is widely used in folk music, blues and rock and roll. Rather than having only six strings, the 12-string guitar has six courses made up of two strings each, like a mandolin or lute. The highest two courses are tuned in unison, while the others are tuned in octaves. The 12-string guitar is also made in electric forms.
Russian guitars These are seven string acoustic guitars which were the norm for Russian guitarists throughout the 19th and well into the 20th centuries. The guitar is traditionally tuned to an open G major tuning.
Acoustic bass guitars Have steel strings or gut strings and often the same tuning as an electric bass guitar.
Tenor guitars A number of classical guitarists call the Niibori prime guitar a "Tenor Guitar" on the grounds that it sits in pitch between the alto and the bass. Elsewhere[citation needed]the name is taken for a 4-string guitar with a scale length of 23" (585 mm) – about the same as a Terz Guitar. The tenor guitar is tuned in fifths, C G D A, as is the tenor banjo and the cello. It is generally accepted[citation needed] that the tenor guitar was created to allow a tenor banjo player to follow the fashion as it evolved from Dixieland Jazz towards the more progressive Jazz that featured guitar. It allows a tenor banjo player to provide a guitar-based rhythm section with little to learn. A small minority of players (such as Nick Reynolds of the Kingston Trio) close tuned the instrument to D G B E to produce a deep instrument that could be played with the 4-note chord shapes found on the top 4 strings of the guitar or ukulele. The deep pitch warrants the wide-spaced chords that the banjo tuning permits, and the close tuned tenor does not have the same full, clear sound.
Harp guitars Harp Guitars are difficult to classify as there are many variations within this type of guitar. They are typically rare and uncommon in the popular music scene. Most consist of a regular guitar, plus additional 'harp' strings strung above the six normal strings. The instrument is usually acoustic and the harp strings are usually tuned to lower notes than the guitar strings, for an added bass range. Normally there is neither fingerboard nor frets behind the harp strings. Some harp guitars also feature much higher pitch strings strung below the traditional guitar strings. The number of harp strings varies greatly, depending on the type of guitar and also the player's personal preference (as they have often been made to the player's specification).[15] The Pikasso guitar; 4 necks, 2 sound holes, 42 strings] and also the Oracle Harp Sympitar; 24 strings (with 12 sympathetic strings protruding through the neck) are modern examples.
Extended-range guitars For well over a century guitars featuring seven, eight, nine, ten or more strings have been used by a minority of guitarists as a means of increasing the range of pitch available to the player. Usually, it is bass strings that are added. Classical guitars with an extended range are useful for playing lute repertoire, some of which was written for lutes with more than six courses.
Guitar battente The battente is smaller than a classical guitar, usually played with four or five metal strings. It is mainly used in Calabria (a region in southern Italy) to accompany the voice.
Electric guitars
Electric guitars can have solid, semi-hollow, or hollow bodies, and produce little sound without amplification. Electromagnetic pickups convert the vibration of the steel strings into electrical signals, which are fed to an amplifier through a cable or radio transmitter. The sound is frequently modified by other electronic devices or the natural distortion of valves (vacuum tubes) in the amplifier. There are two main types of pickup, single and double coil (or humbucker), each of which can be passive or active. The electric guitar is used extensively in jazz, blues, and rock and roll, and was commercialized by Gibson in collaboration with Les Paul, and independently by Leo Fender of Fender Music. The lower fretboard action (the height of the strings from the fingerboard), lighter (thinner) strings, and its electrical amplification lend the electric guitar to some techniques which are less frequently used on acoustic guitars. These include tapping, extensive use of legato through pull-offs and hammer-ons (also known as slurs), pinch harmonics, volume swells, and use of a tremolo arm or effects pedals.
Seven-strings were popularized in the 1980s and 1990s in part due to the release of the Ibanez Universe guitar, endorsed by Steve Vai. Other artists go a step further, by using an 8 string guitar with two extra low strings. Although the most common 7-string has a low B string, Roger McGuinn (of The Byrds and Rickenbacker) uses an octave G string paired with the regular G string as on a 12 string guitar, allowing him to incorporate chiming 12 string elements in standard 6 string playing. in 1982 Uli Jon Roth developed the "Sky Guitar", with a vastly extended amount of frets, which was the first guitar to venture into the upper registers of the violin. Roth's 7-string "Mighty Wing" guitar features an altogether 6-octave range.
The electric bass guitar is similar in tuning to the traditional double bass viol. Hybrids of acoustic and electric guitars are also common. There are also more exotic varieties, such as guitars with two, three,[16] or rarely four necks, all manner of alternate string arrangements, fretless fingerboards (used almost exclusively on bass guitars, meant to emulate the sound of a stand-up bass), 5.1 surround guitar, and such.
Some electric guitar and electric bass guitar models feature Piezoelectric pickups, which function as transducers to provide a sound closer to that of an acoustic guitar with the flip of a switch or knob, rather than switching guitars.
Guitar construction and components ..General ..Headstock ..Fretboard ..Frets ..Truss rod ..Inlays ..Neck ..Neck joint or 'Heel' ..Strings ..Body (acoustic guitar) ..Body (electric guitar) ..Pickups ..Electronics ..Lining, Binding, and Purfling ..Bridge ..Pickguard ..Tremolo arm ..Guitar Strap ..Self-tuning guitars
